Monday, May 12, 2008

MANGA: Independent >>> Mainstream

Becoming a Mainstream Mangaka!

There are a few ways to do this:

  1. Go Mainstream Immediately
  2. form a good doujin circle, make own incredible stories, get noticed and then get big.
Method #1 would be like stated in this article:
How to become a Mangaka

One Mangaka, Hiromu Arakawa, started by being an assistant to Etō Hiroyuki before coming up with her own mind blowing Full Metal Alchemist(click link for a review)


(image - Hiromu Arakawa's Full Metal Alchemist, one of today's best loved manga. One of my all time favorites XD )

Method #2 was proven by CLAMP

...and if you don't know who CLAMP is, search my old blog entries.
I'm getting lazy here >D Have Fun.

MANGA: Independent >>> Mainstream

More on Doujinshis!

just a few articles I found online about Doujinshis - or fan drawn Manga

here's the History
(scroll down, ignore the web jargon)

Doujins and their value


and a few case studies when Doujins cross the line

Crypton to Doujin Circle: Cease and Desist

Editor’s Desk: doujinshi, obscenity, and Japan’s imperiled freedom of speech

Manga History - the changing of styles

Here's an imprompto gallery of the ever changing art styles of the Manga industry.

Click here and scroll down to see old to new Manga

Mind you, the author intended this page to showcase the female Mangakas throughout the ages.
The works featured here are from a few of the A-Listers of female mangakas - quite like the Audrey Hepburns or the Marilyn Monroes of the industry.

Enjoy XD

Manga: Independent who made it BIG

Here are some links I found that gave me more insight on how one of the most successful Doujinkas in came to be, and how they are still inspiring Manga readers world wide today:


Happy Birthday CLAMP!

Beginning as a group who drew fan manga, CLAMP have produced some of the best loved series ever to come out of Japan. Join Animefringe as we take a look back at this remarkable quartet of manga-ka.

Four Mothers of Manga Gain American Fans With Expertise in a Variety of Visual Styles

An Article of CLAMP interacting with Fans in America - also has interesting insights of other female mangakas that made it big (which i sadly will not speak about here. They were mainstream artists from the get go)

And also a forum of some fans discussing CLAMP's works - as you can see, I'm not the only one to think they did a great job at combining Shojo and Shonen =P

Manga: MISC - Some Insider stuff

Here's a good blog on Manga! The blogger, Shaenon, has good info and articles on Manga for casual and hard core Fans

Here's her blog on some of the current recommended manga - I've read most of them, and agreee with everything she says like a good little fan =)


Also, click here for a online comic on the essential insider Manga jokes
and here for EVERY fan's pet peeve - the horrible job that major corporations do with their Japanese-to-English translations. Here, it's One Piece, which imho is a really good series and 4kidsanime network (thank you VGCats! you make my day!) XD

Manga: Fans becoming Legends

Through my many years as a Manga reader, I find that this industry's style changes little by little - any big leaps can be seen only after a generation has passed.

Just look at the samples through the decades from my previous posts to see what I mean - you can tell which one looks less refined. Those would be from the 50s or 60s, when Manga first boomed in the Japanese market, just at the beginning of becoming a well loved cultural icon of the nation.

The others are those Manga masters' (mainstream) legacies - the fans(independents) who grew up on their work and go on to produce their own.

and I find that these changes in happen when new blood infuse the market:

One example would be the Naruto Mangaka, Masashi Kishimoto - he openly admits to his fans that he takes inspiration from Dragon Ball's artist, Akira Toriyama and Akira, by Katsuhiro Otomo

(A Page from Dragon Ball by Akira Toriyama)

(A Page from Naruto by Masashi Kishimoto)


Naruto's style does look like a combination of both Dragon Ball and Akira mangas. However, the real changes happened when the Naruto Mangaka got trained by the Mega-publishing house, Shonen publishing - they gave him a more refined edge in his works.

(Naruto Pilot Manga, that the demo Manga he submitted to Shonen publishing)

Click here to view Kishimoto's interview


Then, there are also independent groups - in this case, an actual Doujin group (Amature Manga producers) made it big time. This group is called CLAMP.

They started as a group of 17 high school girls, where only 4 of them remained and made it big. What fans say made them big was the breakthrough combo of good shojo art with decent shonen storylines. So, you could say they revolutionized the genre for that niche of girl readers - girls back then were wowed by material that held more water than the typical romance drama Manga of those years.

Among their famous works would be X/1999 - where they broke the traditions of Shojo and Shonen Mangas. They combined the feminine style of Shojo with an action-filled storyline, which you would only expect from a Shonen Manga back then.



They still continue to wow the Manga/Anime audiences today. Works like XXXholic were known for their unique combination of Art Nouveau and traditional Japanese aesthetics.

Their new work continues to inspire current generations. I expect one day, they would also have a small ring of artists that would published work inspired by them - like how Dragon Ball's Toriyama has followers like Naruto's Kishimoto.

Manga - Icons in the Manga Drawing Style

Manga drawings throughout decades and the world share a few unique icons in their drawings -



1.Black and White illustrations - guess this technique lived on after the Godfather cos current Manga publishers have to deal with releasing 20-30 pages of new Manga chapters every week. There's no time for coloring, except for the covers, or special occasions

2. EVERYONE will use big doe like eyes. I believe this started when the God father got too influenced by Betty Boop and Disney.

3. Screentones - the grey spots/lines/patterns u see in the background

4. Speed Lines - for motion/focus/shock/light emitting from somewhere/inner thoughts. Hong Kong and Western Comics utilize this as well, but those comics use them minimally. Manga, as u can see, uses them for any other little thing... (refer to the three images above =P)

5. The cute little expressions that EVERYONE seem to use to convey the mood of the atmosphere to the readers.

Like the sweat drop for times when the character is embarrassed/exasperated (works even when you do not see the character's face).

Or eyes hidden by a dark shadow to show evil intent or impending punish(usually before the character unleashes violent harm onto the victim)


or the Vein Pop, which is the simplified symbol of the veins visibly showing a person's head when enraged. Click here to read more on them

5. "Chibi" or "SD" (semi deformed) - the cuter, baby-fied version of the original characters, usually used to convey humor



Here are some links that I found that talk more about this topic:

Manga Iconography http://en.wikipedia.org/wiki/Manga_iconography
Manga wiki http://manga.wikia.com/wiki/Manga

The Manga Drawing Style http://www.animeinfo.org/animeu/core102-l2.html

http://www.narutocentral.com/information/masashi-kishimoto-interview/